Festival Previews Video Blog

Dayve Dean performing at Fringe Sunday during the 2008 Edinburgh Festival Fringe.

Ahhh, the summer season and rock festivals! The socio-cultural and professional milestones of young performers like 7 Dollar Taxi who are performing at three of Switzerland’s major festivals during August. We last caught up with Antony and his band at the Hoch-Ybrig Open-Air Festival in the idyllic mountain Alps in June.

Approaching August they have a packed schedule performing firstly at the Festival Rock Oz’Arènes which is located near Avenches, in the French-speaking part of Switzerland. Catering for 35,000 people from the 12th to 16th August the main stage is built in a Roman amphitheater and is a spectacular venue to perform in. “We’ve never been there, but it’s supposed to have a really cool vibe” say the guys. “On the night of the 13th August when we’re on, Maximo Park and Serj Tankian are the biggest names taking the stage - we’ll definitely try and see their shows.”

On the 16th August they are off to the Openair Funk Am Festival, the biggest free festival in Switzerland with more than 12,000 visitors. One day, one stage by beautiful Lake Lucerne, featuring Swiss bands only this year apparently. The boys confirm that “We’re on at 5.30 pm which is a pretty good stage-time” say the guys. It’s in Lucerne so we’ll be playing for our home-crowd and we’re expecting to have a big party.” The Openair Funk Am Festival is organised every second year. “I think we’ve been every year since it started. The location’s great and if the weather’s good, it’s always been great fun.”

At the end of August 7Dollar Taxi are heading to the old town of Winterthur, a city near Zurich for the Winterthurer Musikfestwochen Festival. The festival runs from Wednesday 20th to Sunday the 31st of August and features about three shows every night on one large stage. In its 33 year history, Winterthurer’s famous stage has seen bands like Iggy Pop, The Kinks, Ten Years After (with Alvin Lee) and more recently Radiohead, Greenday and Supergrass.

“Last year we went to the Winterthurer Musikfestwochen Festival to see Kasabian play. It’s a really wicked festival and we’re looking forward to playing on that very stage… We’ll be on with a cool German band called Madsen which we are really looking forward to.”

We love to turn our web pages over to customers who have great stories to tell. In the process of setting up Esoterica’s Virtual Flyer, Fiona Fletcher sent me her article, Burlesque and Bin Men. I loved it immediately and had to share it with you. Enjoy!

Burlesque and Bin Men
By Fiona Fletcher/Fletch Productions

In September 2007 I began researching 2 very different ways to make a living in New York City – performing on the Burlesque/Variety Circuit and throwing trash. I was in the early stages of producing 2 x 30 minute programmes for an American Broadcaster in which an MTV presenter would be taken from his plush NY studio to spend a weeks training in a different profession.

Born and bred in Lancashire, my understanding of Cabaret/Variety shows had been moulded around evenings spent in working men’s clubs with my grandparents watching Chorley’s hottest ventriloquists and Elvis impersonators, coupled with stories of Les Dennis (the early years) being boo-ed so badly at Wigan working men’s club that he had to climb out of a window in his dressing room to make a hasty retreat. Suffice to say, since leaving Lancashire, watching Cabaret/Variety shows as a form of entertainment has never been high on my agenda. Burlesque had also been filed under ‘AVOID’ based on trashy documentaries on Living TV and a Burlesque (bordering on porn) evening I’d attended in 2006.

Cut to early November in New York, and having spent a pretty cold and stinky week hanging off the back of a garbage truck bombing through Greenwich Village at stupid o’clock in the morning, I was looking forward to spending the following week in the warmth of The Cutting Room, Chris Noth’s off-Braodway club that hosts ‘Le Scandal’ – and although I knew it would be an easier week and more up my street than collecting garbage, I was still slightly cautious that I was about to embark on an experience that was somewhere in between the closing credits for Pheonix Nights and Spearmint Rhino.

Within an hour of the first day of filming I discovered how wrong I was to judge Variety based on working men’s clubs and how ignorant I’d been about Burlesque.

What I experienced on the New York Variety scene in the week that followed completely opened my eyes to whole new world of entertainment, an underground world of weird and wonderful burlesque, variety & circus performers. Stunning, sophisticated, highly- trained, edgy and hilarious burlesque, variety & circus performers. Having spent 6 years as a bass-player and having experienced some the best nights of my life gigging and hanging out on the Camden gig circuit in the late 90s – I was pretty much convinced that music was my only one true source of entertainment…until I visited the late night haunts of NYC’s variety circuit. A heady mix of burlesque acts, aerialists, contortionists, magicians, showgirls, trick-ropers and cool DJs coupled with stories of a-list celebs buying tables in dark corners at 5000 dollars a pop had me hooked.

I sat on the plane on the way home and thought about setting up my own entertainment/events company, I desperately wanted to bring New York to the UK, I wanted to give people a taste of my experience in New York and wanted to give people a source of entertainment that mixed edgy performers with gob-smacking acts and great music. What was to stop me? I’d had experience of working in theatre, tons of experience of organising gig-nights with cutting edge bands, 8 years experience of budgeting, managing, producing and directing huge live events for TV? What was to stop me? CASH…that old chestnut…

I got back to the UK and I begged, stole and borrowed until I raised enough cash to set up my own company Fletch Productions, and in January this year I embarked on my first project as a limited company – to Produce New York’s Le Scandal at Brighton Fringe.

With the permission of the Producer of ‘Le Scandal’ in New York, I tailored the show for a UK audience and after further research into the performers on the NYC variety circuit, numerous hours staring into the eyes of my trusty friend youtube and 2 further trips to New York, I hand-picked 9 US performers, created a UK based 4-piece gyspy-punk, honky-tonk piano-sing-a-long covers band called The Gents and married them up with 4 glamorous showgirls to welcome guests at front of house and hand out Kazoos to Gents enthusiasts. The performers were a mixture of circus, burlesque and variety and the band covered tracks from Kylie to Nirvana, Talking Heads to Dolly Parton, The White Stripes to Hot Chip, Elvis to Britney Spears. The show was booked by Udderbelly for a 14 night run in the cow at Brighton Fringe this May and the response was phenomenal, word of mouth spread quickly throughout the run, which lead to sell-out shows, great reviews and a nomination for ‘Best International Act’ for Lastest 7’s Festival Awards.

At the same time as producing Le Scandal at Brighton Fringe I also produced 2 one-man shows with 2 of the Le Scandal performers called ‘Esoterica’ and ‘Marcus Monroe – extreme juggler and comedian’ both of which received great reviews with Eric Walton also being picked out as one of the highlight acts of Le Scandal.

Re-reading this, I’ve made setting up a business sound pretty easy, but the truth is, it’s been a very rocky ride. I’ve experienced all kinds of horrendous situations and scenerios, from a recommended accountant seriously ripping me off, to being advised by a top London Law Firm to “sack the whole project off as there’s no way the performers will be allowed into the country”, to my appointed PR “company” turning out to be a one-woman band who I paid £3k to do nothing but go on holiday for 2 weeks before the shows, to cast members going AWOL because they’ve taken to “making out” with each other as opposed to rehearsing and to losing large sums of cash in the process.

However, after the enormous challenge of setting up a Limited Company, taking 2 casting trips to New York and producing 3 International shows in the space of 4 months and all the stressful nonsense in between, one thing remains at the core of Fletch Productions and that is the desire to search for and provide new & innovative high-end entertainment, the desire to create and direct an event or show that is more than just a magician, a middle-of –the-road jazz band and a character-less girl stripping down to nipple tassels, and the desire to produce shows that really push boundaries. There is nothing more exciting than discovering a performer or show that literally has you gasping in awe or crying with laughter. Whether in Brighton, London, New York or even Lancashire, one thing is for certain - there will always a better source of entertainment out there, and my aim is to search for it, and if I can’t find it II will create it.

Fletch Productions has a number of really exciting shows and events in store for 2008 and 2009 involving artists & musicians from the UK, New York, Australia, Russia & New Zealand including ‘Esoterica’ at Edinburgh Fringe, ‘Burlesque Against Breast Cancer’ – a prestigious charity event taking place at The Old Market/Brighton on 6th November to raise money in aid of Macmillan Cancer Support, ‘The Boy With Tape On His Face’ an award winning one-man show all the way from New Zealand, a new production from our burlesque super-heros from across the pond Trixie Little and the Evil Hate Monkey, a brand new Burlesque/Variety show and numerous bespoke events for private and corporate clients,

Company info

Fletch Productions is a fresh and innovative company focusing on Producing, Managing and Promoting high-end entertainment, productions and events throughout the UK and the US. With 10 years experience of producing Live Entertainment, Music, TV, Photography & Events and working with artists such as Jo Frost, Gordon Ramsay, Jeni Bond, Julian Beever, D-face, Toure, Trixie Little and The Evil Hate Monkey, Fletch offers a top-class service that covers every aspect of any production or event, large or small. Whatever your budget, whatever your style, whether it’s a launch party, private party, corporate event, wedding or civil partnership, Fletch can assist from concept through to completion and anything in between.

Contact: Fiona Fletcher
t: +44 (0) 1273 906286
m: +44 (0) 7869 105265
e: fiona.fletcher@fletchproductions.com
w: http://www.fletchproductions.com
skype: fletch productions

Choirs are making a real media come back these days, yet they have never been out of fashion. Fresh from their success on ITV’s ‘House Guest’ show The Brighton and Hove (actually) Gay Men’s Chorus returns to St Andrews on Waterloo Street on 31 July and 1 August with their Pride concert ‘Do you hear the people sing?’

Musical Director Jason Pimblett said ‘We were delighted that our May concert was played to a packed house and to an enthusiastic audience .We are now working on our Pride show. This will be one of the highlights of our year. We plan to do it proud with a medley of great songs from Opera to the Musicals including favourites from Les Miserables’.

To add to the festivities the Chorus will be joined by members of the recently formed South Wales Gay Men’s Chorus The combined forces of two male voice choirs will make for some stirring tunes. David Raven will host the show.

Tickets cost £7.50 and are available from The Iron Duke as well as the Bulldog and at the door on the night. The Show will start at 7.30 pm. Proceeds from ticket sales go to support various local causes and charities. The Chorus is one of the supporters of Pride and raises money to help make it the biggest free Pride Festival in Europe.

The BH(A)GMC is one of three Gay Choirs in Brighton and Hove. Check out their website for more information: Brighton and Hove (actually) Gay Men’s Choir

To all those new arrivals, a few catch-up news articles to gen up with what’s going on in Edinburgh:

Edinburgh Fringe faces ticketing turmoil as e-booking system collapses

Fringe Actors? It’s just a stage they’re going through!

Edinburgh’s big venues divide the comics