10 Questions: An Interview with Peta Taylor

Thursday, May 14th, 2009

Into the spotlight today is the actress Peta Taylor who adeptly challenges us in two of Tom Stoppard’s surreal, whodunit plays: “The Real Inspector Hound” and “After Magritte”.    Taking place place at the New Venture Theatre from the 19th to 24th May these wonderful comedy dramas are suitable for all ages.  So head out for an enterprising, Tom Stoppard Evening, but first let’s chitchat with Peta Taylor…

1.    What inspired you to become an actress, performer and entertainer?

I was always the ‘narrator’ for Primary School productions and was quite jealous of all the kids who got to dress up as orphans/Romans/angels. There were no drama lessons or exams at my secondary school so the only way to prance about on stage was in school plays where I found 2 inspirational teachers who encouraged me in comedy.

2.    What’s your show about and what should the public expect from your how at the 2009 Brighton Festival Fringe?

Our play, the Tom Stoppard Evening is part of a Stoppard double bill where both pieces are, I think, concerned with fantasy, reality and our accepted perceptions of both. That makes them sound a bit pompous and erudite: they’re both very fast-moving, witty, almost farcical comedies.

3.    What was the last Fringe or Festival you performed at and what was it like?

The last Fringe productions I was involved with were 3 or 4 years ago: Big Iron was a saloon-based comedy  and The Ministry of Biscuits was a British Post-war Black and White Musical. Both were great comedies which I utterly enjoyed showing off in.

4.    What are your funniest and worst experiences performing in front of an audience?

My worst experiences are fairly uninteresting except for actors (long silences, coming on too early etc.). The problem is, these things are also the funniest things for me – though not until at least 10 years later…

5.    What’s the best and worst advice you have ever been given? And did you follow it?

I have been given a lot of very good advice about performing, perhaps the most important is to never imagine or behave as if you are hilarious when doing comedy. Watching other favourite comedy actors is also inspiring.

The worst advice I ever got was to wear combats and a black tee-shirt: clichés like that don’t work for me and make me cross at the lack of imagination. There. I said it! (And I’m pants at physical theatre squats and stuff).

6.    What are you most proud of and what dreams or goals would you like to fulfill?

I’m most proud of the fact that I earn half a living from  being daft for the public (the other half is earned from school-teaching). I suppose my dream is to be healthy enough to enjoy my acting work more as I become older: that way I won’t have to ‘retire’.

7.    Which three famous people would you invite to dinner and why [dead celebrities included]?  And what culinary dish would you prepare?

Three famous people I’d want to my dinner are: Joyce Carey (from ‘Brief  Encounter’), Irene Handl and Rob Brydon. They are 3 of my favourite actors and I think we’d have a giggle. Tea and cakes (on posh stands) would be served and Joyce could pour. I was going to include Orson Welles and Alfred Hitchcock but they might be a bit frightening …and eat all the cake!

Photo is:  Jenny Bridges – Lady Cynthia Muldoon;  Steve Mallen – Birdboot;  Peta Taylor – Mrs Drudge. (photo by www.stratmastoris.com).

8.    What is the best book or books you have read and why?

I’m lucky to be involved in readings for the City Reads Project and this year’s ‘The Book Thief‘ is a beauty. Not my favourite though. I adore ‘A Prayer for Owen Meany’ for its daring and quirkiness: John Irving always tests us and is often funny. It also has a fabulous bit where the kids put on ‘A Christmas Carol’ which I try to read every Christmas because it’s another favourite (probably due to Alastair Sim…)

9.    Tell us 5 interesting and unknown facts about yourself?

I imagine most facts about myself will be unknown to readers so I’ll try for interesting: I lecture in a London art gallery. At school, I was entered for Classical reading competitions even though I didn’t understand the Latin texts. I fenced in my school team. I have a signed photo from Linda Lusardi for gym attendance. My name is pronounced Peter and spelt Peta.

10.    If you could change one thing about the world what would it be?

The second world war changed the world for better AND worse. It would be great to see Britain (and Europe) before the bombs and high-rises but we’d pay with slums and smog. No. Something I’d love to see is a little more time and thought (and perhaps less money) spent on our children to ensure they have our trust and some contentment in their own lives. Crumbs! That was bit profound.

Come  and see the play!

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Jason Pimblett and Samantha Howard

Wednesday, May 13th, 2009

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Gerry McCrudden and some of his talented friends get together to present,  An Evening with Gerry McCrudden and Friends. Two of Gerry’s accomplished friends are the vocalists, Jason Pimblett on piano and soprano, Samantha Howard.  They join Gerry at Fletch @ St. Andrews on Monday 18th May at 6.00 pm for a delightful evening of affable humour, engaging recollections and enchanting music.  Also appearing will be the acclaimed guitarist, Lee Westwood, tenor George Wood and pianist, Colin Blanchflower.   A pleasant evening of superb entertainment not to be missed!

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10 Questions: An Interview with Brian Mitchell

Sunday, May 10th, 2009

Today we interview Brian Mitchell, the award-winning play write of “The Ornate Johnsons”, “Spy”, “The Ministry of Biscuits” and now, “The October Revolutions”.  Showing at The Nightingale Theatre, this bitter-sweet comedy of love is on for one night only on the 23rd May, with two showings, one at 7.00 pm with a later showing at 9.30 pm.

Brian is also appearing in UP YOURS To the Festival! with fellow mirth maker, Jerry Rulf at the Latest Music Bar on the 6th, 13th and 20th May at 9.30 pm each evening.  So let’s chat with Brian…

1.    What inspired you to become a play writer, performer and entertainer?

It was watching the wonderful Anthony Asquith/Michael Redgrave film of Rattigan’s, The Browning Version when I was about eight years old. On Saturdays I would stay with my Grandma and we would watch the matinee double bill on BBC 2 together. They always played old classic movies. I developed a preference for anything black and white, as they seemed higher quality, but this film in particular got to me.  I found it deeply moving and it made me want to become a writer.

2.    What’s your show about and what should the public expect from your show at the 2009 Brighton Festival Fringe?

It’s about a love affair that doesn’t go anywhere – just round and round in circles. It takes place over three meeting in three parks over three Octobers – including the Blue Peter Italian Sunken garden. The best thing I can do is quote some of the comments the play has received:

The October Revolutions is a beautifully felt yet painfully real play, made with all the ingredients that go into a good piece of theatre: humour, believability, passion and grace. It’s a love story that any of us who have banged our heads against the wall of incompatibility, with bloody, forehead flattening results, will recognize and yet this production, with strong performances from it’s two young actors, far from perpetuating a head ache, is funny, poignant, skillfully crafted and well worth a watch.”
Maggie Neville (writer “The Grizzled Skipper”)

“The play feels full of this sense of the characters being out of time with each other. Their frustrations and longings reflect our own as they yearn for, but never manage to achieve the connection they desire.

Somehow we know from the start they are not destined for each other, but it doesn’t stop us from wondering if somehow it might still all work out. We are as foolish and hopeful in love as the characters.

October Revolutions is funny, tender and moving, yet doesn’t shy away from the little cruelties and lies that undermine trust in a relationship, or the violence of feeling that sits beneath our language sometimes. It seems to reveal the anatomy of so many present moments free of the fog of nostalgia, yet still in celebration of the tremendous pain and joy of LOVE!”

Rachel Blackman (writer/performer of The Art of Catastrophe and The Maydays)

“The script remains a delight. The relationship at the play’s centre is enormously frustrating and that is what provides the fun; there are some very keen observations with laugh out loud moments. Yet it also has a bite that puts bitter ahead of sweet.”

Lisa Wolfe (producer – News form Nowhere)

3.    What was the last Fringe or Festival you performed at and what was it like?

The Edinburgh Festival last year. I was directing Joanna Neary at The Assembly Rooms. I must be honest: I do not enjoy the Edinburgh Festival – it just seems like a manic trade fair – so, after setting the show on its feet, I got out as soon as I could. But the show went very well, and it is always a pleasure working with Joanna.

4.    What are your funniest and worst experiences performing in front of an audience?

They’re one and the same. It was performing in the Udderbelly Cowpat last year with “The Ornate Johnsons”. It must be the worst venue ever built – a triumph of branding over practicability. Half way through the show, the tent, essentially an upside-down bouncy castle, began to deflate, the roof sinking like a cake onto the audience. The place was evacuated immediately. Given the constant and atrocious noise made by the pumps, it was quite a relief.

5.    What’s the best and worst advice you have ever been given? And did you follow it?

One is constantly given advice against ones instincts. Sometimes it can work out, but more often it proves disastrous. I think it would be unfair to list all the bad advice I have had to single out one piece for special mention.

The best advice I ever had was from my composition tutor, Martin Butler, who really understood what makes a work of art; from Jerry Sodwotiz, who taught me a great deal about the importance of energy and just keeping things going; and from my girlfriend, who persuaded me to focus again on playwriting.

6.    What are you most proud of and what dreams or goals would you like to fulfill?

My plays. I am proud of the comedy shows – I think the Ornate Johnsons’ residency at The Soho Theatre in 2006 was something special (we are still performing it and it gets a great reception wherever it goes) and the BBC4 show was very well received – but I know the plays are better.

The Ministry of Biscuits (the musical I co-wrote with best-selling novelist Philip Reeve) is touring next year and will be playing the Greenwich Theatre, but I would love it to play the West End.

7.    Which three famous people would you invite to dinner and why [dead celebrities included]?  And what culinary dish would you prepare?

Max Beerbohm, because I love his writing and he was famously entertaining; Haydn, for much the same reasons Simon Rattle cited when he said he was the composer he’d most like to have dinner with;  and the young Joan Greenwood, because I fancy her something rotten. Egg and chips!

8.    What is the best book or books you have read and why?

Vanity Fair, The Day of The Locust, Tono Bungay, Pere Goriot and Eugenie Grandet (Balzac is criminally underrated in this country), Zuleika Dobson, Seven Men, A Dance To the Music of Time, The Alexandria Quartet,  Clayhanger, Diary of A Madman, Candide, Essays of Elia…I dunno. There are loads of great books.

9.    Tell us 5 interesting and unknown facts about yourself?

a) I co-wrote Jo Neary’s “Pans People” dances to “Without You”, “Moonshadow” and “She”.

b) I used to write for Basil Brush and Live and Kicking.

c) I studied Music under the leading contemporary composer Jonathan Harvey. And what a lovely chap he is!

d) My father was a miner and I grew up in a colliery village.

e) There are not five interesting and unknown facts about myself.

10.    If you could change one thing about the world what would it be?

To make the world a fairer place. There are a hundred things I want more, but they would make me seem awfully shallow, so that’s the answer I’m sticking with.

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10 Questions: An Interview with Kt Simpson

Saturday, May 9th, 2009

Head to the Black Lion pub for a carnivalesque phantasmagoria evening to “Wake the Dead”.   Rising into the spotlight today is KT Simpson from Copperdollar who celebrates life and death with his fellow band of dancers and actors.  Copperdollar are on for two nights – the 21st and 23rd May from 9.00 pm to 2.00 am and 9.00 pm to 3 pm.  So let’s chat with KT and learn more about this colourful and dark side of the arts…

1.    What inspired you to become an artist, performer, musician, dancer, writer and entertainer?

As a child, the Elvis Presley movies that I would sneekily watch on a Saturday morning. Years later, after training as a professional dancer, seeing a family of street performers in India and having to give offerings to the gods before being allowed to dance. They could reach out to far more people than conventional theatre, and that excited me greatly.  This really ignited a passion in me for street theatre and New Circus, which still drives me forward.

2.    What’s your show about and what should the public expect from your show at the 2009 Brighton Festival Fringe?

Wake the Dead is really all about getting into a world beyond your own. The audience are invited into the show where they can play and become a part of it. Copperdollar is interested in breaking down the barriers of conventional theatre, allowing the audience to walk through the fourth wall, passing through the veil that separates the two worlds.

People around the world have lots of ideas about what happens when you die, but no-one knows for sure.  Similarly, in ‘Wake the Dead’, we play with the concept of being between two worlds – whether that be show or party, audience or performer, exhibition or gig, life or death – we are playing in the new territory of immersive theatre where the rules have not yet been written, we make them up as we go.

3.    What was the last Fringe or Festival you performed at and what was it like?

Last year (’08) I played at the Brighton Fringe with Voodoo Vaudeville.  We did a show at the Udderbelly with an enthusiastic audience.  Since then Copperdollar’s brand of close-up theatre has been very well received at Blank Gallery Porstlade, at Glastonbury Festival in Trash City, and in Brighton as part of the first ever Beach Hut Advent Calendar.

4.    What are your funniest and worst experiences performing in front of an audience?

The worst experience was seeing a pyro explode in the face of a friend, and having to go on stage, not knowing whether he would be all right or not. The classic “the show must go on” scenario. But we did the shows for him and it was one of the best of the season, and he pulled through with a hairless extremely suntanned “pink” face.

The funniest was watching my son’s full potty being pushed by the wind from under my trailer towards a Portuguese festival producer who was being given a far to early morning tour around backstage of the circus.

5.    What’s the best and worst advice you have ever been given? And did you follow it?

The best advice was from Gerry Cottle: Never rely on funding! Very sound.

The worst advice was “Get a Proper Job”.  No, I didn’t take that one seriously!

6.    What are you most proud of and what dreams or goals would you like to fulfill?

I’m very proud of the artists on board Copperdollar.  They’re a talented group of individuals in their own right and make a fantastically committed team.  My immediate aim is to develop a national and international reputation for Copperdollar.  Ultimately becoming completely self-sustaining.

7.    Which three famous people would you invite to dinner and why [dead celebrities included]?  And what culinary dish would you prepare?

I don’t have enough time for my friends and family let alone needing to have dinner with a bunch of celebrities. But my choice today would be Joe Strummer, Barack Obama, and Michael Eavis.  They’d get my special organic salad and frittata.  After all their only human!

8.    What is the best book or books you have read and why?

‘The Gray Gentlemen’, it highlighted the madness of our society and how we are always in a hurry and never have enough time,   ’Memoirs of a Geisha’; I loved the way it engaged me into the grace and hardship of these women’s lives.   ’The Kite Runner’ exposed me to the harshness of these boys lives, and the cruelty of this regime. I was so moved that I cried for about three chapters.

9.    Tell us 5 interesting and unknown facts about yourself?

•     I am good at drying flowers – through pure neglect of living flowers.

•    I collect natural heart shaped stones

•    I sponsor a tiger in west Nepal

•    I dance on a bar stool in my kitchen.

•    I’ve got a coffin in my hall.

10.    If you could change one thing about the world what would it be?

If I could change one thing about the world I’d spread the wealth and make sure that anyone who earned millions would have to give a percentage to a charitable cause.  End those sickeningly huge bonuses that the already richer than rich get.  Then force the companies who give that kind of money to one individual, to give the money to an organisation that can help hundreds, or invest it into an company developing environmental technology.

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Show Review: Forget Me Not!

Friday, May 8th, 2009

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Today we welcome Deborah Simpson to our web pages who has written a superb review of the show, Forget Me Not! Known as The People’s Soprano”,  Sharon Elizabeth, from Tauranga in New Zealand, is wowing audiences at the Brighton Spiegeltent & Garden with her show, Forget Me Not! The video above is of Elizabeth performing in The Aviator Club, which is also showing at the Spiegeltent.  Thanks go to Gemma Bliek for the stylish images.


Forget Me Not!
UK Premiere is Unforgettable.
The Parlure Spiegeltent & Gardens 8-10 May.
Deborah Simpson

Thursday was the UK premiere of Forget Me Not, Sharon Elizabeth is the deliciously naughty ex-flapper who tells the story of her life through the roaring 20’s in story and song.  First of all Sharon Elizabeths voice is way and beyond anything you expect.  A trained soprano she moved away from Opera for something more of a challenge.  Although she makes Forget Me Not look anything but a challenge as she easily reaches the operatic high notes of Musetta’s Waltz Song from Puccini’s La Boheme, and the lively comedy notes of ‘Soprano in the Shower’ written and composed by Sharon and her partner composer and Pianist Paul Lewis.

The audience enjoyed the classics as much as new compositions from Forget Me Not.

The audience was diverse, It appeals to all generations – you could take your granny to the show for the old songs equally your dad or husband would be tickled by the naughty love trysts. Forget Me Not is like reading a good book; you can’t wait to hear what happened next.

The concept of Forget-Me-Not came about because Sharon Elizabeth’s Father gave her a box of old music that no one wanted from his garage. “That was where forgotten love songs came from” she says. Then she thought to counterbalance the romantic numbers to sing comic songs. “Literally one morning I woke up and thought I should call the show Forget-Me-Not and then I went one step further and thought… Why don’t I become Forget-Me-Not!” she says.

Come to Forget Me Not – Bring your Granny, she won’t forget and just might remember a song or two!

Review Ends  – Deborah Simpson

Interview from Sharon Elizabeth

Months of research has given her a good understanding of what it was like to be a woman in the 20s-30s. “People think the 60s were wild but really the 20s blew the 60s out of the window” she said.

“Many Victorian ways and values were challenged and dropped by the youth of the day. For women it was an especially liberating time. Flappers were really partying for the sake of it. A lot of money had been made through the war and they were on a high with the sheer joy of being alive. There was an undercurrent of great loss in these times. Many men were lost in the war, and there was a huge man shortage! I have learnt that there was a fragility in the youth which is what I hope to capture with Forget-Me-Not’s secret that she reveals later in the show.”

“Another unique aspect of the show is that Paul and I have a singer and composer/pianist relationship which was very common in the day. With Paul’s years of being a top TV/film composer he often uses the music to underpin the mood as he would for the TV. I feel very lucky to have Paul’s talents in the show, as his sensitivity to me as a performer really makes the experience more enjoyable for me and the audience. 40% of the songs are original.” Sharon Elizabeth

Paul composed:

Forget-Me-Not
Join the Sisterhood
Soprano in the Shower

To a Lost Boy was based on a melody from a BBC4 doco film score that Paul composed this year and I wrote the poem and lyrics.

Mata Hari is a song that I have written (one lady yesterday thought it was the best song in the show and was convinced that it had come out of a
musical!!!!!!)

Old classics are:

Indian Love Call
It’s a Sin to Tell a Lie
You’re the Cream in My Coffee
Fascination
Begin the Beguine

And we even had full opera – Musetta’s Waltz Song from Puccini’s La Boheme.

People love the old songs and a comment I hear time and time again from my older audience members is - “I haven’t heard them in years” (hence forgotten love songs).

I came up with the concept and wrote the script and self-directed. I have approached the show totally from my intuition drawing on my years of being an entertainer. Audience participation is my thing!

I think Forget-Me-Not is good old fashioned entertainment.

Sharon Elizabeth
Forget Me Not x

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Click the link to check out our preview of the  The Aviator Club,

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